kimberley
 

kimberley lynne.

writer • theatrical artist
 

Works

Published Works

Produced Plays

Short plays: time warps, mutants, romance, crypts, and scissors

  • Gone with the Hair, The Source Theatre's 1994 Washington Theatre Festival
  • Socks, Theatre Project, March 1997, as part of The Women's Project's Beyond the Ingénue III
  • It'll Do a Body Good, Theatre Project, December 1997 as part of The Women's Project's Reservations
  • Fear Itself, Fells Point Corner Theatre, February 2000, as part of The Women's Project's Work of Art
  • The Frogs, American Globe Theatre's NYC 15-Minute Play Festival, April 2005
  • God Dolls, part of Variations on Desire, Run of the Mill Theatre, July 2005
  • Sepulcher, part of Variations on Fear, Run of the Mill Theatre, August 2006

One act plays: pig Latin, stalkers, murder, race riots and giants

  • Akspeareshay, commissioned by Starting Gate Theatre as part of their 2004 season and re-staged as part of 2004 Minneapolis Fringe Festival
  • In My Tribe, part of The Source Theatre's 2002 Washington Theatre Festival. Second production produced by Mobtown Players as part of the Baltimore Playwrights Festival, June 2004.
  • Combat Experience, co-written with Cassandra Davis, produced by Baltimore Shakespeare Festival and the Baltimore Office of Promotion and the Arts, Theatre Project, July 2004.
  • The Return of the 5th Sister, Hood College, April 2006, Capital Fringe Festival in July 2006 and Baltimore Playwrights Festival at Mobtown Players in August 2006.
  • One Particular Saturday, Spotlight UB, April 2008 and Artscape July 2008. Baltimore Hebrew University and University of Baltimore both include the play in their curriculum.
  • The Docents, Mobtown Players, July 2010

Full length plays: Othello, aliens, investment bankers, Oedipus, and ghosts

  • Brief Candle, Vagabond Theatre, winner of the Best Script Award, 1992, the Baltimore Playwrights Festival
  • Completely Different Birthing Stations, AXIS Theatre, August 1994, as part of the Baltimore Playwrights Festival
  • Mama, I Can See Again! Co-written with Brian Klaas, commissioned by AXIS Theatre, April 1995
  • Love For Words, commissioned by AXIS Theatre, June 1997. Second Equity produced by the Baltimore Shakespeare Festival, September 2000
  • Really Big Expectations, AXIS Theatre, June 1998
  • A Dickens of a Carol, commissioned by Baltimore Shakespeare Festival, two Equity SPT productions, December 2003 and December 2004. Baltimore's City Paper Top Ten Theatre Pick and Best Holiday Show Pick. Published by Apprentice House in November 2009. Rep Stage produced it under AEA SPT contract in December 2009.
  • C.Y.A., Mobtown Theatre, part of the Baltimore Playwrights Festival, August 2007

Performance-in-education plays: Shakespeare, Cornwallis, Cab Calloway, the Big Bad Wolf and Uncle Tom

  • Clowning Around with Shakespeare: Live at the Palace, commissioned by The Baltimore Shakespeare Festival and touring with Young Audiences of Maryland, 2002-present.
  • Weird Sisters: An Exploration of the Women of Shakespeare, commissioned by The Baltimore Shakespeare Festival, toured Young Audiences 2002/2003, part of the Commonwealth Festival, Shenandoah Shakespeare, January 2004.
  • Founding Rebels, toured via Young Audiences of Maryland, 2003/2004.
  • Four living history plays commissioned by the Reginald Lewis Museum: Josiah Henson, Lillie Jackson, Earl White, Cab Calloway, 2010
  • Three Little Tales, commissioned by Pumpkin Theatre, May 2010
 

 

For more on selected produced plays, please click:

 

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